Exposure
Welcome to NTU Film Society’s in-house publication.
Reviews of works, especially positive, that help an audience regard the film deeper.Op-eds or dissenting pieces that provide something different from the mainstream.Reviews, criticisms or pieces that view the art through a new, specific or varied lens.Essays that delve deeper into the theoretical aspects of film, often academic in nature.
The Solitary Gourmet Goes Global
Staff Writer Kuo Yi Quan reviews The Solitary Gourmet (2024), the latest addition to the beloved Japanese culinary series.
SGIFF Review: Cu Li Never Cries (2024)
In the monochrome heart of Hanoi, a bereaved woman redefines home, family, and enduring bonds in a poignant exploration of identity and belonging. Staff Writer Tan Yan An reflects on the critical Cu Li Never Cries.
SGIFF Review: Stranger Eyes (2024)
Yeo Siew Hua’s newest feature film, Stranger Eyes, is as audacious and ambitious as the 35th Singapore International Film Festival, President Daryl Cheong writes.
SGIFF Film Review: Poor Things
Editor-in-Chief Rhea Chalak reviews a film with a lot of buzz surrounding it, especially in the Western film circuit: Yorgos Lanthimos’ latest black comedy Poor Things (2023).
SGIFF Film Review: Evil Does Not Exist
Vice-President Fidel Tan reviews Ryusuke Hamaguchi’s latest film Evil Does Not Exist (2023), following the themes of capitalist greed and gentrification in conflict with nature.
SGIFF Film Review: La Chimera
Content Creator Phyllis Chan reviews Alice Rohrwacher’s 2023 drama film, starring Josh O’Connor as a crumpled English archaeologist-turned-grave-robber.