Was it just for the views or does Tetris (2023) invite a search for deeper meaning? Guest Writer Abhijith shares his take.

Staff Writer Angelica Ng offers a different perspective of the idyllicism in Breakfast at Tiffany’s (1961).

Guest writer Khushi Pai dissects the lesbian film that quickly garnered a cult following Bottoms (2023), and what makes it more than just a casual high school rom-com.

Guest Writer Adrian Ho dives deeper into Steven Soderbergh’s career, with a focus on Presence (2025) and Black Bag (2025), which were both released this year.

Staff writer Tan Yan An looks back at the cult classic that propelled Matt Damon and Ben Affleck into Hollywood, and reflects on how its portrayal of emotional journeys should have been more profound.

President Daryl Cheong lists his predictions for the 97th Academy Awards, both the expected winners and the surprises.

Editor-in-Chief Hannah Jade reflects on 3 films that were integral to her year.

Missing Arcane (2021 - 2024)? Honorary Financial Secretary Venesya Ko has you covered.

The Killers (2024) attempts an anthology of genre-whirling stories, but ultimately disappoints in its lack of maximising its potential, President Daryl Cheong writes. 

Antidote (2024) celebrates ordinary individuals coming together to expose Vladimir Putin and his regime, but excessively over-dramatises to get its point across, President Daryl Cheong writes.

Honorary Financial Secretary Venesya Ko reviews the queer Thai drama, The Paradise of Thorns (2024).

Guest Writer Khushi Pai reviews Fairytale (2022), Alexander Sokurov’s experimental adult animated fantasy which was screened at this year’s Perspectives Film Festival in Singapore.

Staff Writer Ezekiel Sen reviews Coralie Fargeat’s sensational “splatterfest”, The Substance, which won Best Screenplay at the Cannes Film Festival earlier this year.

Staff Writer Angelica Ng reviews the recent premiere of Joker: Folie à Deux (2024), the much-awaited sequel of Joker (2019).

Honorary Financial Secretary Venesya Ko reviews Damian McCarthy’s horror film Oddity and finds a new kind of scariness.

President Daryl Cheong reviews DreamWorks’ latest film The Wild Robot — a testament to the spirit of kindness and a deserved Oscar frontrunner.

President Daryl Cheong and Honorary Financial Secretary Venesya Ko collaboratively review James Watkin’s 2024 take on the 2022 Danish film, Speak No Evil (2022).

Honorary Financial Secretary Venesya Ko reviews incoming horror flick Cuckoo (2024), which sees Euphoria alum Hunter Schafer in her first lead role in a feature film.

Vice-President Rhea Chalak reviews the upcoming Lanthimos triptych, Kinds of Kindness (2024).

Henrique Bravo draws insights on the broader Bhutanese political scene within his review of Pawo Choyning Dorji’s The Monk and the Gun (2023).