Guest Writer Leksen Yeong unpacks the cultural context behind Wong Kar Wai’s Chungking Express (1994), as well as the potential merits of style over substance.

Was it just for the views or does Tetris (2023) invite a search for deeper meaning? Guest Writer Abhijith shares his take.

Staff Writer Angelica Ng offers a different perspective of the idyllicism in Breakfast at Tiffany’s (1961).

Staff Writer Kuo Yi Quan goes behind the scenes of Saltburn (2023), a twisted black comedy thriller which gained immense controversy in many social media circles.

Editor-in-Chief Hannah Jade’s unserious review of the equally unserious film, Final Destination: Bloodlines (2025), the final installation of the beloved millennial series which features no apparent killer or supernatural apparition.

Guest writer Khushi Pai dissects the lesbian film that quickly garnered a cult following Bottoms (2023), and what makes it more than just a casual high school rom-com.

Staff Writer Jeffrey Chay details his surprising trip into the void (no pun intended) of Deadpool & Wolverine (2024).

Guest Writer Adrian Ho dives deeper into Steven Soderbergh’s career, with a focus on Presence (2025) and Black Bag (2025), which were both released this year.

Staff Writer Angelica Ng discovers the cinematic nostalgia behind Gia Coppola’s 2024 film The Last Showgirl (2024).

Guest Writer Xin Ru Liaw revisits the cult classic, The Devil Wears Prada (2006).

Staff Writer Kuo Yi Quan reviews The Solitary Gourmet (2024), the latest addition to the beloved Japanese culinary series.

Guest writer Henrique Bravo reviews the Glen Powell-starrer Hit Man (2023), and explores how it is more than just a rom-com, but also a giant lecture on the philosophy of life.

Staff writer Tan Yan An looks back at the cult classic that propelled Matt Damon and Ben Affleck into Hollywood, and reflects on how its portrayal of emotional journeys should have been more profound.

Guest writer Adrian Ho makes a case for the widely contentious Aloha (2015), and argues that there is more to it than meets the eye.

Staff Writer Ezekiel Sen reviews Osgood Perkins’ latest film, The Monkey (2025), starring Theo James, Oz Perkins, and Elijah Wood.

President Daryl Cheong lists his predictions for the 97th Academy Awards, both the expected winners and the surprises.

If I had to describe Babygirl (2024) in one sentence, I’d say it’s a movie about people telling each other to sit down.

Staff Writer Tan Yan An reviews The Seed of the Sacred Fig, nominated for Best International Feature at 97th Academy Awards. Following the tense war in Iran and the uprising, an internal family conflict boils over — where blind faith is privileged over blood ties and true justice.

Staff writer Rachel Goh examines the will they/won’t they trope, its addictive pull, and the complexities of villainising side characters in sitcoms.

Staff Writer Jeff Chay reviews A Different Man (2024), a hauntingly absurd exploration of identity via a Kafkaesque metamorphosis.