Exposure

Welcome to NTU Film Society’s in-house publication.

APPRECIATE:

Reviews of works, especially positive, that help an audience regard the film deeper.

CHALLENGE:

Op-eds or dissenting pieces that provide something different from the mainstream.

CONSIDER:

Reviews, criticisms or pieces that view the art through a new, specific or varied lens.

THINK:

Essays that delve deeper into the theoretical aspects of film, often academic in nature.

Reagan Ng 11/10/23 Reagan Ng 11/10/23

The Undeniable Influence of The Blair Witch Project

Reagan Ng retrospects on the cult found-footage horror film, The Blair Witch Project (1999), and expounds on the undeniable influence it has had since.

Kimberly Ler 10/13/23 Kimberly Ler 10/13/23

Gerwig’s Barbie: A Ken out of Ken?

Kimberly Ler takes us on a whirlwind journey through summer’s blockbuster Barbie (2023), infused with witty and incisive commentary.

Lee Peng Ming 10/12/23 Lee Peng Ming 10/12/23

Rouge: The Eternal Moon of Autumn

Head Programmer Lee Peng Ming reviews Stanley Kwan’s Rouge (1987), the recent film of discussion at NTU Film Society, expressing why it had such a lasting impression on him.

Rhea Chalak 10/12/23 Rhea Chalak 10/12/23

PFF Film Review: Perfect Days

Editor-in-chief Rhea Chalak reviews Wim Wender’s latest drama Perfect Days (2023) starring Kōji Yakusho in the role of a humble toilet cleaner.

Sri Sakthivell S/O Ragavel 10/5/23 Sri Sakthivell S/O Ragavel 10/5/23

“The Exorcist: Believer”: David Gordon Green’s Attempt at Supernatural Horror

Treasurer Sri Sakthivell S/O Ragavel reviews the latest release in The Exorcist franchise, The Exorcist: Believer.