Exposure
Welcome to NTU Film Society’s in-house publication.
Reviews of works, especially positive, that help an audience regard the film deeper.Op-eds or dissenting pieces that provide something different from the mainstream.Reviews, criticisms or pieces that view the art through a new, specific or varied lens.Essays that delve deeper into the theoretical aspects of film, often academic in nature.
Pluribus (2025-): The Most Miserable Woman in the World and Her Emotional Support Hivemind
Editor-in-Chief Venesya Mayvelie Kosasi considers how Pluribus (2025-) serves as an allegory for colonialism, revealing that the real horror of the show is rooted in the inequalities and marginalization already transpiring in real life. And even beyond that, through its nuances, that the show challenges our conception of what it means to be human–who are we, if we must rethink reality?
Watching Foragers (2022) in Singapore: Who’s The Coloniser?
In his thoughtful review of Jumana Manna’s documentary Foragers (2022), Programmer Umar Al Khair examines Palestinian resistance and encourages readers to question what it means to inhibit the positions we occupy.
Gillo Pontecorvo says: Arise, Wretched of the Earth!
Through an incisive comparison of Gillo Pontecorvo’s 1966 La Bataille D’Algers and Frantz Fanon’s 1961 Wretched of the Earth, Umar Al Khair Bin Zainal Muttakin pens a powerful essay about colonialism, rooted in both the past and the present.