Exposure
Welcome to NTU Film Society’s in-house publication.
Reviews of works, especially positive, that help an audience regard the film deeper.Op-eds or dissenting pieces that provide something different from the mainstream.Reviews, criticisms or pieces that view the art through a new, specific or varied lens.Essays that delve deeper into the theoretical aspects of film, often academic in nature.
For the Sake of Entertainment: Tetris (2023)
Was it just for the views or does Tetris (2023) invite a search for deeper meaning? Guest Writer Abhijith shares his take.
Lesbian Fight Club? Well, It’s Complicated
Guest writer Khushi Pai dissects the lesbian film that quickly garnered a cult following Bottoms (2023), and what makes it more than just a casual high school rom-com.
Why I hated Deadpool & Wolverine (2024)
Staff Writer Jeffrey Chay details his surprising trip into the void (no pun intended) of Deadpool & Wolverine (2024).
Presence and Black Bag: The Dynamism of Soderbergh in 2025
Guest Writer Adrian Ho dives deeper into Steven Soderbergh’s career, with a focus on Presence (2025) and Black Bag (2025), which were both released this year.
Pamela Anderson’s Dazzling Performance in The Last Showgirl (2024)
Staff Writer Angelica Ng discovers the cinematic nostalgia behind Gia Coppola’s 2024 film The Last Showgirl (2024).
In The Monkey (2025), (Almost) Everyone Dies. And That’s Funny.
Staff Writer Ezekiel Sen reviews Osgood Perkins’ latest film, The Monkey (2025), starring Theo James, Oz Perkins, and Elijah Wood.
6 Stories To Check Out If You Love Netflix’s Arcane (2021-2024)
Missing Arcane (2021 - 2024)? Honorary Financial Secretary Venesya Ko has you covered.