Exposure
Welcome to NTU Film Society’s in-house publication.
Reviews of works, especially positive, that help an audience regard the film deeper.Op-eds or dissenting pieces that provide something different from the mainstream.Reviews, criticisms or pieces that view the art through a new, specific or varied lens.Essays that delve deeper into the theoretical aspects of film, often academic in nature.
A Commentary on Class in Saltburn (2023)
Staff Writer Kuo Yi Quan goes behind the scenes of Saltburn (2023), a twisted black comedy thriller which gained immense controversy in many social media circles.
because in a moment, it could all *boom*
Editor-in-Chief Hannah Jade’s unserious review of the equally unserious film, Final Destination: Bloodlines (2025), the final installation of the beloved millennial series which features no apparent killer or supernatural apparition.
Babygirl (2024) Proves to be a Good Time Even though She Wasn’t a Very Good Girl
If I had to describe Babygirl (2024) in one sentence, I’d say it’s a movie about people telling each other to sit down.
Oddity (2024): An Odd Encounter Between Supernatural Horror and Realism
Honorary Financial Secretary Venesya Ko reviews Damian McCarthy’s horror film Oddity and finds a new kind of scariness.
Film Review: Speak No Evil (2024)
President Daryl Cheong and Honorary Financial Secretary Venesya Ko collaboratively review James Watkin’s 2024 take on the 2022 Danish film, Speak No Evil (2022).