Exposure
Welcome to NTU Film Society’s in-house publication.
Reviews of works, especially positive, that help an audience regard the film deeper.Op-eds or dissenting pieces that provide something different from the mainstream.Reviews, criticisms or pieces that view the art through a new, specific or varied lens.Essays that delve deeper into the theoretical aspects of film, often academic in nature.
Longlegs (2024) Blames the Devil for Man’s Evil
Staff Writer Mohamed Shafiullah reconsiders the elements that made Oz Perkins’ Longlegs (2024) such an effective thriller while anticipating his new film Keeper (2025).
A Commentary on Class in Saltburn (2023)
Staff Writer Kuo Yi Quan goes behind the scenes of Saltburn (2023), a twisted black comedy thriller which gained immense controversy in many social media circles.
because in a moment, it could all *boom*
Editor-in-Chief Hannah Jade’s unserious review of the equally unserious film, Final Destination: Bloodlines (2025), the final installation of the beloved millennial series which features no apparent killer or supernatural apparition.
Babygirl (2024) Proves to be a Good Time Even though She Wasn’t a Very Good Girl
If I had to describe Babygirl (2024) in one sentence, I’d say it’s a movie about people telling each other to sit down.
Oddity (2024): An Odd Encounter Between Supernatural Horror and Realism
Honorary Financial Secretary Venesya Ko reviews Damian McCarthy’s horror film Oddity and finds a new kind of scariness.
Film Review: Speak No Evil (2024)
President Daryl Cheong and Honorary Financial Secretary Venesya Ko collaboratively review James Watkin’s 2024 take on the 2022 Danish film, Speak No Evil (2022).