Exposure

Welcome to NTU Film Society’s in-house publication.

APPRECIATE:

Reviews of works, especially positive, that help an audience regard the film deeper.

CHALLENGE:

Op-eds or dissenting pieces that provide something different from the mainstream.

CONSIDER:

Reviews, criticisms or pieces that view the art through a new, specific or varied lens.

THINK:

Essays that delve deeper into the theoretical aspects of film, often academic in nature.

Isabel Ng Cardoso 12/12/25 Isabel Ng Cardoso 12/12/25

vOilah! French Film Festival Review: Stories & Threads in Couture (2025)

Staff Writer Isabel Ng Cardoso examines the patchwork of narratives that Alice Winocour weaves in Couture (2025), ruminating on whether the film and its title is an accurate reflection of the definition—or simply an echo of it.

Agastya Polapragada 11/10/25 Agastya Polapragada 11/10/25

La Haine is not a Black-and-White Film

Staff Writer Agastya Polapragada ruminates on what makes La Haine such a beloved classic in the cinematic world following NTU Film Society’s screening of the film earlier this semester.

Hannah Jade 12/29/24 Hannah Jade 12/29/24

The Matryoshka Moment: 3 Films in 2024

Editor-in-Chief Hannah Jade reflects on 3 films that were integral to her year.

Mohamed Shafiullah 12/2/24 Mohamed Shafiullah 12/2/24

SGIFF Review: At Averroes and Rosa Parks (2024)

Making room in the psychiatric facility — Staff Writer Mohamed Shafiullah reviews Nicolas Philibert’s documentary, At Averroes and Rosa Parks (2024).

Jeongrak Son 10/12/23 Jeongrak Son 10/12/23

“Summer Hours”, and What Follows After

Jeongrak Son reviews Oliver Assayas’ film, Summer Hours (2008), about a family dealing with the aftermath of a loved one’s loss.